great eyey-catcher non only for metallica fans (but a must have for them). take a look at the logo...

skylax records, the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears! for our 11th release , we decided to bring you guys a brand new track from the italo master of all time: the fantastic beppe loda under the name italowerk. honestly, we were not expecting anything, as he did so much for electronic music already for the past 20 years, resident at the legendary typhoon club in italy (brescia), playing a huge amount of electronic underground tracks that are praised today by clubbers & vinyl fetishists, he created also what we called today afro cosmic. we could sum up his new project just by its name italowerk = kraftwerk meets underground italo. the first track is called sognando that we could translate by dreaming. indeed, this is a very powerfull track, that sounds almost like an italo lost gem (circa 1982) but with an incredible modern feeling, full of crazy electro synths, arpeggios and a terrible kick: an athem!

transmissions florales is massis first vinyl release. the density of the 808 drums reminds us this is synthetic from the start. but as the the swirling, phasing 7th chords and the crystal-like lead tones build up and blend with the laid-back wah-wah guitars, this simple song take us to some sensual, forgotten place with swaying limbs and flashing lights. with a few changes in structure and the timbre of the bass, the acid mix proposes an alternate scenario - gliding to the edge of madness with a wink at raving in the late 80s. are we in the disco? or at the seashore? keep on moving, keep on flying. bionic gulls call to each other over the oceans arpeggios. >alpha base< uses a similar synth palette, but with quite different results. rather than waves, this piece seems to evoke dramatic weather over a jagged terrain. the funky, syncopated bass and percussion remind us of some ancient tribal ceremony on parched soil. odd sound effects imitate the heat and sudden shots of lightning, while the ascending pentatonic breaks suggest a primitive electronic geisha, draped in mylar foil, deflecting the suns rays as she dances for the gods. she performs an intricate sequence of steps, each with its own placement and hidden meaning… having spent the past 2 years entertaining crowds at underground clubs in berlin and around the eu, massi is already somewhat known to those who enjoy dancing to whatever is eclectic, energetic, and atmospheric. now, perhaps more people will hear his special groove. we hope you share our joy, our obsession… and the particular oscillations from this very personal >transmission florale<

fresh from the success of his new album, ninja tuna, mr scruff dips his line back in the sea with the funktabulous get on down. taking a little chunk of 70s soul goodness (a prince phillip mitchell song, sung by johnny adams) and turning it into scruffy sashimi, this is undoubtedly one of the dancefloor stand outs of an album guaranteed to get any crowd bumping. hold on, on the other hand, features the smooooth vox of andreya triana, but nothing can stop scruff from dropping lashings of bass squelch - plus a little extra bangingness on the alternate version hold the dub. altogether uplifting, chest vibrating and all round marvellous, this is brit soul the way it should be done.

the musicloverz are back, but now with their 1st own record, a huge big room-electrohouse track, supportet by popmuschi.

david garcet, based in brussels, belgium has already releases on karton, pink slow motel, dirty dancing, biologique,... especially his track >emo< on karton003 was a really big hit around the globe and get support from a lot of jocks! now, its time for davids debut on kostbar musik. with his 2 tracks >hex< and >on dit que<, he continue this warm and melodic tech-house sound. both tracks are so emotional but also funky at once

david garcet, based in brussels, belgium has already releases on karton, pink slow motel, dirty dancing, biologique,... especially his track >emo< on karton003 was a really big hit around the globe and get support from a lot of jocks! now, its time for davids debut on kostbar musik. with his 2 tracks >hex< and >on dit que<, he continue this warm and melodic tech-house sound. both tracks are so emotional but also funky at once

nice price deal !!! this record is the finale in the three part 12 inch single project from brooklyns free blood. first up is the club friendly parangatang. broken house beats with increasingly hectic vibes are accompanied by an old time piano melody as the duo continues their onslaught of head scratchingly unique pop singles that maintain a fierce rhythmic consistency. the original is followed by tummy touch records tim love lees remix. lee strips away all but the essentials and adds a heady analog synth melody in place of most of the vocals, creating a proper dance dub version.

aka dopplereffekt !! should be in the repress section... but this repress is such a limited and unexpected one that we had to consider it as a brand new release. 400 copies only limited repress for this highly collectable piece of wax from the master of electro arpanet (dopplereffekt, der ziklus...). unavailable for more than 6 years and never repressed before

after their robot-pop hit with eurostar sebastien tellier, principles of geometry weirdo beardos come back with a new version of interstate highway system. then poni hoax deliver their first official remix, putting their hands on the fierce and epic prophet. but the most epic of all tracks on this ep is certainly eat s remix of golem. eat comes from berlin where they released a few >extra-ordinary< eps on their diamonds & pearls inprint, occasionally releasing tracks by their friends henrik schwarz or ricardo villalobos. think the globins meets lindström meets carl craig. last but not least, young frenchies fieldtripq made an oldschool electronica mix of colfax, close to early autechre stuff.

dennis ferrers the world as i see it album is still being listened to and its tracks are still being played, hence the remixes are gonna keep on comin… one of the most memorable tunes from the album, run free, is seeing remixes by 2 very distinct and quality remixers oddly found at opposite ends of the earth. uks sean mccabe debuts his talent for king street after having had past remixes and productions released on soulfuric deep, fluential, device, soundmen on wax, tony records and more. his chunky beat-filled interpretation of this single has a tough enough bass drum and nice enough funky key jabs as to keep the great energy flowing but not overpower the song. japanese-nyc transplant producer tomo experience grooves and soothes the eardrum. his easy kicks and lightly bouncing bassline puts a nice spin on this tune, all the while kt brooks (r.i.p.) fervent vocal laying atop the 2 re-product ions. check out these cool remixes for great measure and greater flow.

big with: andrea bertolli, elio riso, john acquaviva, deep dish, tom stephan, .. xavi beat returns! one of the biggest deejays & producers from fresco records presents his new production after a long time playing in clubs only. xavi beat is evolving to minimal sounds, without losing the fresco sound which characterized him. cyclic is the 19th release and has two tracks full of power that will delight the most demanding clubbers. inside the first track we can see original version. a sound that sorround you from the first minute. endless and constant rises, the presence of powerful bass joins with electronic sounds to form sequences that will drag you to an endless number of sensations. the second track is a remix created by dformation one of the most recognized deejay & producer in the international music scene. that remix is more progressive house than the other track with minimal touches full of strength and style. choose the track you want, but without doubt this single will not fail to surprise at any deejay set.

special limited pic disc, no repress !!! time to celebrate! systematic becomes 50! no, not 50 years but after four years we proudly announce that we have reached single release number 50! so a great honour to have two italian fellows on board which have influenced electronic club music a lot in 2008, hugo and daniele papini! hugo has caused a massive stir with >the siren< and >the sloop< on tuning spork and daniele papini has hit a biggie with >church of nonsense<, one of the coolest techno outputs in 2008 to date! their ep >nice to meet you< contains three tracks you shouldnt miss: check them all, there is no filler! for sure! attention!!! be quick and grab one of the 500 limited picture discs!

support by gregor tresher, mathias kaden, reboot, vera, d julz, raresh, federico molinari, dorian paic… moon harbour stays international with their 40th release. this time with the focus on the vibrant french club scene. alexis bernard aka seuil has already been releasing a bunch of groundbreaking eps on labels like minibar, einmaleins or freak n chic since 2006. this year he founded his own label called eklo with such hi-class acts as lauhaus and miss fitz. for his first ep on moon harbour recordings he presents 3 top notch house tracks with profound melodies and cleverly layered rhythms. >double room< consists of subtle sounds and a very likable vocal sample - driving with a high dose of funk! >she percs me< on the flipside is a bit more straight. percussive rhythms and playful licks perfectly display seuils musically advanced ideas. last but not least and a bit more on the relaxed side we have >no time for love<. a shy piano works its way through the track and makes it a perfect tune for some real late night magic.

two key players of the scene join forces on figures sixteenth release. no one else than adam beyer and luke slater contribute tracks to this very special ep. mod by luke slaters planetary assault systems project takes off with a fast, breathless groove. its force drags the dancers along, and the mesmerizing bleeps put everybody in a deep trance. within seconds, the solid ground of the dancefloor is nothing but a remote memory. mod has a very special aura, it is hard to grasp its exceptional energy. it appears to be pretty elementary, and yet it is an verwhelming techno anthem which will accompany you for quite some time. adam beyers simulated usage surprises the crowd with its elegance and subtlety. forming an irresistible funk, the fabric of the track interweaves various tiny elements. this savageness obviously manifests in his musical approach which can be characterized by his open-mindedness in regard to diverse influences, currents and styles. simulated usage is strong and joyful, it is techno in its best sense. once again, adam beyer und luke slater manage to coin the face of contemporary club music.

classic alert! highly sought after 12inch reissue. everyone knows this for track b3 - why d you fall although all tracks are killer on this limited 12 inch of remixes from lil louis. this record got lost at the time due to format overload on the main release. reissue comes in high quality mastered sound / original label / polylined bags / shrink wrapped !!

waowww ! tunes alerts on this 12inch sampler featuring the versatile all star with only new and exclusive tracks from i:cube, joakim, chateau flight and dj ringardos taken from the compilation >versatile 2008< !!! first, i:cube goes italo disco with >supernovac< ! a title that sounds like i:cubes reply to smith n hacks masterful « space warrior ». on a2, joakim is back with a disco/rock monsters : >love & romance & a special person<! its first new track since his last album ! arpeggios and robotic words of love. the compelling sensation of listening to american fm in the mid-80s on a beat-up radio. novel and full of charm. b side bring us back chateau flight with >la roquette<, a minimal/acid stuff ! this throbbing and druggy techno cut shows us how this french duo can explore all the dance music sides ! and last but not least, this 12 inch delivers us a mysterious and mighty newcomer, dj ringardos, with >was better in 88< ! who thinks hes fingers, inc.? piano cocktail and little flutes tell the story of the hidden treasures of deep house from the late 80s...

made to play brings the noise with the sounds of wearhouse music and head honcho lee mortimer. lee mortimers exciting, sleazy, demented take on house has been kicking the sh*t out of dance floors and festivals the world over. this e.p is not for the faint hearted but is for those who like to rock a big crowd in a ballistic way. when jimi hendrix played not just one but both sides of it at woodstock in the 70s the place went off its tits and when he reverted back to playing the guitar it just couldnt compare and he never quite got over that. lee mortimer is currently reveling in mass support from the likes of switch, claude vonstroke, diplo and kriss akabusi who apparently likes to play these tracks as a post love ritual, naked and chanting awooga! round the camp fire he has in his bedroom. if you want to embellish the feeling of either hendrix or akabusi in the primes of their existences then get stuck into this release and youll feel like a combination of the two peaking on acid.

after several remixes and longtime waiting our artist h.o.s.h. releases his next own ep. and he is back with a real banger! >the valve< sounds connected to steppenwolf, but feels more like a coninue: more modern, more pushing and more groove. like hell! a balkan- flute plays sometimes, but very harmonic to the track. heebie-jeebie! >super sick bowl< is a fantastic groove, too, but a bit more housy like classic recordings. awesome, never boring housebeat spiced with two cool and sick breaks. this loop could run forever. single words work perfect with the beat and provide a stimulating sexappeal. under a fig tree starts more technoid with the sound, but has still a groovy house for 3 minutes til the break - and out of this break a new sound is evolving. on the one this track continues with a warm bass hook, leaving the technoid sounds behind. what a twist! just beautyfull! thanx hosh

scott grooves comes with a sweet ass 12inch on clone. 2 sublime tracks by the guy that was one of the main influences for many people. one of the most independent minds in the whole us house and techno scene. for the last 10 years he only released on his own labels. and after his masterpiece >the journey collection< we are proud to present these 2 new cuts that are just as timeless and good as that monumental record! these two tracks are a warm up for the upcoming riddum collection scheduled later this year and remind us very much of his journey collection , but also to the other peoples place (warp & clone) and even a bit of metro area. maybe we shouldnt compare because these tracks stand on their own.. but this ultimate dopeness for the dance floor! must have

steffen baumann & stefan hollaender got the inspiration for that track from the shant of an unknown shaman. the hypnotic vocals and the massiv bassline make the track to an bomb somewhere between deep-house & tech-house. the >taste t meets wishes & dreams remix< on has much more progressiv-house elements. the bassline of the original tracks is picked up by a warm but also pumping synth line. the track is released on a 10 inch record.

4 tracks that fit perfectly in the keno records context. all dancefloor oriented but way more recognizable than the usual club tools. jaxson is back with a collaboration with his friend sven brede who is known from his productions on highgrade records. torunga is one hypnotic, detroidish track that will be working during prime time and afterhours. the young andre traenkner from dresden presents a very special house-tango. with his warm and groovy sound he fits perfectly in the keno records context. hello from erich lesovsky is a positive and energetic house track with an incredible synthline. marcus sur shows his love for classic house music and minimal techno in the track white elephant and we love him for that. tracklist: a1: jaxson & brede - torunga (8:15), a2: andre traenkner - progress (8:12), b1: erich lesovsky - hello (7:31), b2: marcus sur - white elephant (6:08)

beretta grey presents the second record by detroit duo >reference< a.k.a. luke hess & brian kage.. >reference vs. vol 1<, consists of collaboration with other key beretta grey artists ryan crosson and seth troxler. each song was carefully developed by all artists simultaneously. sessions were held at interstellar studios in detroit with all artists present. the initial musical concepts were recorded and written. next, the songs were sent back and forth until the finished product was agreed upon by all parties. in this fashion, the music created provides the character and soul of each artist, but fused together in a way that creates a more detailed account. one perspective alone does not capture the whole story. in this release, a feeling is captured by four artists, giving the listener a bigger picture, which helps to better capture the concepts of sound as it relates to a moment in time

unreleased disco soul from new orleans band, a side is a short but sweet single that pairs the soul disco styling of earth, wind, & fire with the cool crooning of bill withers. there must be an answer is somber ballad lamenting lost love. this dramatic track is characterized by its dark piano lines and is accentuated by post doo wop vocals reminiscent of the temptations.

dj whiteside and vocalist candy williams team up again for the new release on milk & sugar recordings. whiteside, since 20 years now on the road, started in the music business in switzerland as a producer of illegal, but highly demanded mixtapes, the >billboard tapes<. fined for music piracy in 1990 it took him as long as until 1995, before he gained great success again with >ugly house<, the most successful cd compilation series in switzerland until now. he was given the opportuninty to release his first artist album soon after, which was also a great seller, not only in switzerland.

great hiphop-flavored breakbeat/electro-ep by headrush, made in 2002.

after the success of the last cirez d release on jel fords jericho label we now have a perfect follow up from another top swedish producer - joel mull. joel has been firmly established on the scene for over 10 years now but lately has been doing some amazing projects for labels such as audiomatique, saved and cocoon. here he delivers the perfect jericho two tracker with the a side - viewpoint having a supremely funky bassline, lush chords and catchy hooks .

big with: xpansul, mandy, chris fortier, alexi delano, chris fortier, angel molina, miss kittin, iñaqui marín, maurice aymard, davide squilache, jay x, joy kitikonti, djulz,.. after a few months completely absorbed by pulshar, the dub project he shares with aphro, pablo bolívar comes back to regular with his most characteristic output: emotional electronica. and he does so with a powerfull and subtle ep. scifi winter tales: cold, fragile and deep techno. memories of a distant future... shadow machines : pablo keeps the pace at a cruising speed with a classy tracks only him knows how to do. but attention: at half track some strange arrangements appear. deep space sounds that send the music to another dimension

tweaked monosynth lines and rich polyphonic pads are featured on most tracks, and single note patterns of various timbre often reinforce the grooves. the title track on the a-side is as simple as effective and the name relates to some of the percussion parts which reminded them of a rodent digging a hole in the ground. first on the b-side is >if i was a man<, a slow-down groover with a dark and funky atmosphere, inspired by barbara alcindor s abstract spoken words, becomes more and more twisted towards the end of the track. last but not least, >zig zag<, which is named after the wobbly monosynth phrase which is being tweaked throughout the tune. all tracks speak of sweet, riding rhythms and nights full of action. pure quality

adam beyers drumcode label has its ten year anniversary this year and there will be many releases as well as a massive compilation album project later in the year featuring brand new tracks from many of the label s key artists. one of the newest additions is the producer of this new release - tor lowkrantz or mighty thor as he is known. this 4 tracker again demonstrates the open musical policy of the label. the last hardcell release was a fine piece of work demonstrting influences from both hard and minimal techno sensibilities. this release focuses more on the harder end of the scale but still remains fresh with its almost old jeff mills and rob hood influences. all 4 tracks have a fat groove and are saturated with funk yet still pack serious punch in any set. another winner from drumcode

franco cinelli, one of the most gifted new producers coming out of argentina, presents here six uncompromisingly quirky club bombs. his previous releases on milnor modern and telegraph have just warmed you up to his sound. now dive in to >profundo amor< and get familiar with these intricately programmed club stompers. you can call it minimal, but when these tracks go ripping through a big pa, thats the last word that will be on your mind. with the opening track >flog<, you get a taste of the freaky after-hours grit that alphahouse records is becoming known for. >m26< is a robotic hair-raiser for the new generation. think minus on steroids. >twisted machine< features a stompy groove and some snare work to drive the dancefloor. >vertientes< is a great dj-tool with a low-slung bassline and dancing synths. >c3d< bounces along with a razor bassline and some tricky transitions. and >project 64< finishes off the lp with a synth line that falls out of the ceiling and straight onto the dancefloor. truly inspiring stuff here, from franco. no filler tracks. all of these are a-sides

surgeon takes the right track on the remix-highway: moving quite fast, but in a relaxed style. on the flip is substance sneaking through the fog of techno-ambient.

the a side by hardcell and grindvik again has faultless production with its razor sharp drum intro before the pulsing lead sounds drop and the fat percussion edits envelope the track to create a truly intense feel. on the flip adam beyer delivers a truly awesome interpretation cleverly using the main parts but adding rich layers of atmospherics to create a very rich sounding deeper feel. this is a very, very serious release

in our opinion alex bau is one of the best harder techno producers out there. his material over the last 5 years has been both energetic and groundbreaking. his material for zenit has been particulrly good and this is new release is is no exception. both tracks are different but equally effective. the a side is a driving hard edged techno cut with its pounding kick drum and sharp percssion. the track is punctauted with catchy synth riffs and stabs to great effect. the flip side is truly monstrous with its dark dirty warehouse feel and fat sub bass and string edits. great, great record

ffms premium label for deep & minimal sounds qualitative high above standard dance stuff is back from the summer break. traditionally lnz mastermind pascal feos himself lights the lnz release oven and adds his label cataloque with two endurance track runners. it may surprise, how airly the runner with starting number 1 floats through the colourful wood of golden october, cheered on by moogy mild hookline that strokes the drum body. from time to time the race track passes some clearings, the chilling atmosphere of pascal feos side-project aural float waves at the horizon. but then he trots on and on embraced by the feeling of runners high. with the racing number 2 the >generator child< starts athletic but thoughtful on his tom tom-dymanic soles, more and more leading into an 808-hypnotic run on black asphalt. a >generator child< speech sample trails off in the dusk and an lfo-spiralled veil of mist twirls over the head of the scared kid.

another quality dmx krew masterpiece we at turbo are longtime fans of dmx krew, so its a real honor to work with him again 6 years after his last contribution to our now defunct sub-label white leather. we dont normally trace an artists history or include much biography in our press releases, but we feel the need in this case to pay our respects to a long and brilliant career. with all the crap that gets paraded around nowadays its easy to forget who the real masters are... ed dmx is one of them. ive always held a soft spot for ed, he was one of my favorite producers in the proto-electro heyday. hearing his live version of the knight rider theme at sona (tigas club circa 96) was (believe it or not) a revelation. of all the artists id met up until then, he was the coolest, he could play synths better than anyone id ever heard, he had the balls to do vocals in his live-set but he was a sweet, softspoken, and super funny guy. for reasons ive never understood, eds pop side didnt seem to take off and for awhile things took a distinctly experimental turn... interesting stuff, but a departure

elvis might be dead, but this breakbeat tracks are alive and kicking - for sure!

special extra 12 inch to that big album!! felix kröcher & eric sneo - two names that stand worldwide for >techno< - have got together for a very special collaboration, >connected< is not only the title of their joint album but also the name of a project that includes their international tour.

played by : gabriel ananda / claude von stroke / david ellesmere / stephan bodzin... the afu master returns with part two of the las vegas series with slotmachine ! its inspired by the ever rotating and flashing world of the slotmachines and the glamour of the city of sin ! already tested in his live set to great success, this is the next smash on afu limited ! but as usual words cannot describe music, so listening is the best to make your own decision

baker street sits perfectly alongside such great french labels as robsoul and brique rouge and fittingly, phil weeks delivers a trademark deep and soulful groove for lead track. 3 variations on the theme, but label bosses holmes & watz step out of their familiar territory for a smoking hip hop joint to round the ep off. baker street offer a top notch ep that would get even the good dr watson nodding his head to.

reinventing the word dj, insideamind is the leading force in turntable music performance. knowing no limits, innovators steptone & professor fingers raise the bar high with their natural showmanship. spellbinding soundtracks, head snapping breaks, tears, laughter, and magic make up their acrobatic, high energy onstage flow. blowing away audiences not just with clever samples, but an onslaught of layered beats, big bass, and sudden switches to live improvised remixes that pull crowds deep into their world. the tiniest spy is insideamind?s first vinyl single, the title track features the exquisite vocals of laura barrett from paper bag records, over the furious drum beats, scratches and soundscapes created by steptone and professor fingers. a matter of time takes you a head nodding hip hop feel, featuring a daunting techno style remix by murr (from lal) and old school hip hop remix by toronto?s circle research crew (a recent signing to melting pot music).

this is not just tribal theory but practice in 3 shapes. rollin and kickin!

this is quite simply one of the most glorious records you will hear this year. it would be easy to lazily reference it against classic period rephlex/planet mu stuff (oops, i just did!), and indeed it appears to share some of the same heritage (even going so far as to feature a remix of rephlex artist global goon in its tracklisting) - but chris leary aka ochre is obviously a man on his own mission. gorgeously lush, but at the same time super-funky…as electronic as kraftwerk starring in a remake of tron, yet somehow as pastoral and organic as edward elgar…much like his label-mate ed chamberlain, leary manages that tricky task of being supremely technical in his programming and arrangements, but without losing the heart and soul of the music amidst all the studio trickery. you know that old chestnut often said when referring to vintage or classic music, >they dont make them like that any more<? well they do…and here it is! simply fantastic.

the young band cours de performance presents us their debut - release on phonothek. its called one! this varied and extremely good produced record tunes in the club season with a beat of a kettledrum. certainly you hear the influence of the three guys - berlin! the result is a super functional ep, which is played from friday until monday. hammerfall charmed with the warm synthie and the oily clap, which even let the crowd freaks out. white walls the fantastic hands up track, which you never will forget. the amazing song you are thee is definitely produced for the peak time and shakes the sound system with a playful kick. petre inspirescus trash is a small homage to sakadat, but the guys show us how to get more groove from the metaphysical - bomb. rise, listen and start to dance. were excited to hear more of course de performance

another serious result from our warehouse rummaging! si begg is a man of many musical personalities, his list of aliases is impressive to say the least (bigfoot, buckfunk3000, lenny logan, s.i. futures, zygmunt janowski...). but one of his oldest, and certainly one of his strangest, is cabbage boy. in fact i confess i am old enough to remember his releases in the early 90s on cassette tape under the umbrella of the >cabbage head collective< (which also included such techno notables as cristian vogel & tim wright) - and pretty mental they were too. the lost tapes vol. 1 doesnt disappoint on that front, containing such gems as a remix of 80s pop mysteries frank chickens>we are ninja<, and an electronic cover version of >king kong< by frank zappa (ask your parents...). totally out there, but totally cool at the same time...highly recommended to anyone looking for something with some real personality amidst the hard-drives full of faceless (and usually nameless) digital fluff

the into the night ep is a wonderful deep, slow & moving record that should be one of the highlights in this years autumn sessions. into the night kicks off with some wild pitch – alike chords and builds up soulful, moody but strong. tectonic move is so damn groovy and might be one the funkiest trax ever coming out of the metaworld universe of matt flores. also the tempo of almost 120 bpm is sexy as hell... all percussions & the bass are played live by matt flores. “tectonic move” also features some extatic detroitish synths that makes you scream. a definitive winner! the tectonic move flores & saenger dub has been rearranged a bit by matt flores and farsides ingo saenger (one half of westpark unit). they stripped the tune, put more focus on the groove and re dubbed all harmonies & synths. the result is a funky smokers riddim for all you dubby tool headz out there.

essential revisions of liquid liquid classics from matthew dear and sample208 with two contrasting but deadly effective rethinks...

killer re edit from section 79, based on the 80s electro classics from savage progress original 12inch version... from a simple but clever re edit of the original, the tracks dig further and further into a more acid based loop that would turn upside down any floor for real... so many influences here from ron hardy to armando, to new york noise scene.... ultra limited edition. one for the headz.

it is a task that detroit native aaron-carl has done consistently since 1996. as one of detroits most in-demand producers, his signature sound crosses genres -- from soulful, gospel-infused house, to the dirtiest ghettotech anthems. aaron-carl is hailed as a powerhouse in detroits electronic music scene. with a discography to die for, he has remixed some of the motor citys biggest names – underground resistance, scan 7, aux 88 & kelli hand, as well as international artists like chicago house legend dajae, icelandic techno stars gus gus, and african jazz great manu dibango, to name a few. as a vocalist, aaron-carl showcases a broad range. from the haunting chill of >crucified< and >sky< to the seductive whispers of >down< and >21 positions<, to soul-stirring shouts of >alright< and >my house< ac prides himself in not just making records, but classics. his >let me tell you something about house music< acapella (appropriately titled >the word<) is one of todays most sampled house vocals, while >down< is still a staple in the clubs – for more than a decade after its release.